Course Name | Fashion Photography and Styling |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
FA 411 | Fall/Spring | 2 | 2 | 3 | 4 |
Prerequisites | None | |||||
Course Language | English | |||||
Course Type | Elective | |||||
Course Level | First Cycle | |||||
Mode of Delivery | face to face | |||||
Teaching Methods and Techniques of the Course | DiscussionGroup WorkQ&ACritical feedbackApplication: Experiment / Laboratory / WorkshopLecture / Presentation | |||||
Course Coordinator | ||||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | The aim of this course is to understand and analyze the concept of fashion photography and to provide a critical overview of trends in past and present fashion photography. |
Learning Outcomes | The students who succeeded in this course;
|
Course Description | This course introduces the historical development of basic photography, light knowledge and fashion photography, identifying and visualizing current trends. |
Related Sustainable Development Goals | |
| Core Courses | |
Major Area Courses | X | |
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Introduction | |
2 | Photography Basics | Diprose, G. and Robins, J., 2012, Photography: the new basics: principles, techniques and practice, Thames&Hudson: United Kingdom, ISBN: 978-0-500-28978-5, p. 45-68 and 113-140. |
3 | Basics of Photostudio Equipments & Introduction to Fashion Photography | Child, J., Studio Photography Essential Skills, 2008, 4th ed., Focal Press: Canada, ISBN: 978-0-240-52096-4, p. 45-126. Jade, L., 2012, Fashion Photography 101, The Ilex Press: United Kingdom, ISBN: 978-1-4547-0418-8, p. 10-127. |
4 | History of Fashion Photograph & Presentation Brief | Hall-Duncan, N., 1979, The History of Fashion Photography, Alpine Book Company: New York, ISBN: 0-933516-00-2, p.14-184. |
5 | Project 1: Outdoor shooting of fashion products (%15) | Smith, B, 2008, Fashion Photography: A Complete Guide to the tools and Techniques for the trade, Amphoto Books: New York, ISBN: 978-0-8174-2721-4, p.34-138. |
6 | Presentation & Adobe Camera Raw Workshop | Sheppard, R., 2008, Adobe Camera Raw For Digital Photographers Only, 2nd ed., Wiley Publishing: Indiana, ISBN: 978-0-470-22457-1, p.73-266. |
7 | Project 1 Continues | |
8 | Project 2: Indoor shooting of fashion products (%15) | Siegel, E, 2008, The Fashion Photography Course: First Principles to Successful Shoot - the Essential Guide, Thames&Hudson: London, ISBN: 978-0-500-28769-9, p.10-99. |
9 | Project 2 continues | |
10 | Project 3: Still-life shooting of fashion products (%15) | Perweiler, G., 1984, Secrets of Studio Still Life Photography, Amphoto: New York, ISBN: 0-8174-5898-0, p.6-133. |
11 | Project 3 Continues | |
12 | Photoshoot Event | |
13 | Project 4: Experimental applications in fashion photography (%15) | Doble, R., 2010, Experimental Digital Photography, Lark Books: New York, ISBN: 978-1600595172, p. 129-158 |
14 | Project 4 Continues & Portfolio Submission Brief | |
15 | Semester Review | Portfolio Submission |
16 | Semester Review |
Course Notes/Textbooks | |
Suggested Readings/Materials | Diprose, G. and Robins, J., 2012, Photography: the new basics: principles, techniques and practice, Thames& Hudson: United Kingdom, ISBN: 978-0-500-28978-5, s. 45-68, and s.113-140. Child, J. Studio Photography Essential Skills, 2008, 4th ed., Focal Press: Canada, ISBN: 978-0-240-52096-4, s. 45-126. Jade, L., 2012, Fashion Photography 101, The Ilex Press: United Kingdom, ISBN: 978-1-4547-0418-8, p. 10-127. Hall-Duncan, N., 1979, The History of Fashion Photography, Alpine Book Company: New York, ISBN: 0-933516-00-2, s.14-184. Smith, B, 2008, Fashion Photography: A Complete Guide to the tools and Techniques for the trade, Amphoto Books: New York, ISBN: 978-0-8174-2721-4, s.34-138. Sheppard, R., 2008, Adobe Camera Raw For Digital Photographers Only, 2nd ed., Wiley Publishing: Indiana, ISBN: 978-0-470-22457-1, s.73-266 Siegel, E, 2008, The Fashion Photography Course: First Principles to Successful Shoot - the Essential Guide, Thames& Hudson: London, ISBN: 978-0-500-28769-9, s.10-99. Perweiler, G., 1984, Secrets of Studio Still Life Photography, Amphoto: New York, ISBN: 0-8174-5898-0, s.6-133. Doble, R., 2010, Experimental Digital Photography, Lark Books: New York, ISBN: 978-1600595172, s. 129-158. |
Semester Activities | Number | Weigthing |
Participation | 1 | 10 |
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | 1 | 20 |
Homework / Assignments | ||
Presentation / Jury | 1 | 10 |
Project | 1 | 60 |
Seminar / Workshop | ||
Oral Exam | ||
Midterm | ||
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 4 | 100 |
Weighting of End-of-Semester Activities on the Final Grade | ||
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 2 | 32 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | 2 | |
Study Hours Out of Class | 14 | 1 | 14 |
Field Work | |||
Quizzes / Studio Critiques | |||
Portfolio | 1 | 18 | |
Homework / Assignments | |||
Presentation / Jury | 1 | 4 | |
Project | 4 | 5 | |
Seminar / Workshop | |||
Oral Exam | |||
Midterms | |||
Final Exams | |||
Total | 120 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to develop and design a collection independently. | |||||
2 | To be able to do maintain a design research individually or as a team. | X | ||||
3 | To be able to develop entrepreneurship- and managerial skills for a future professional practice. | |||||
4 | To be able to understand, interpret and apply theoretical knowledge in fashion and textile design. | |||||
5 | To be able to analyze and integrate the particular local and regional needs and of their profession. | |||||
6 | To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. | X | ||||
7 | To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. | |||||
8 | To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design. | X | ||||
9 | To be able to develop an ongoing analytical and professional approach to academic and design research. | |||||
10 | To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. | |||||
11 | To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). | |||||
12 | To be able to speak a second foreign at a medium level of fluency efficiently. | |||||
13 | To be able to relate the knowledge accumulated throughout the human history to their field of expertise. |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest